Meet the man who buys the Ferraris you really shouldn't

Scott bought the car from a bloke in California. At the time, he was looking for an engine cover for his 1990 Testarossa coupe, a left-hand-drive car he’d bought from the Netherlands. (Seven of his Ferraris are left-hookers.) There he was, surfing the web, when up pops this four-year-old ad for an unfinished Testarossa spider project car.

“I was intrigued and called the seller on the off-chance it was still available,” says Scott. “Incredibly, it was. He’d bought it intending to restore it but it just sat in his garage gathering dust. The owner said he wasn’t interested in selling it to anyone who would just break it for spares. I told him I would take on the project and get the car roadworthy. We agreed a deal and I shipped the car here to the UK. All in – the car, shipping, taxes – it cost me £16,000.”

Ferrari made only one Testarossa Spider, commissioned by company boss Gianni Agnelli in 1986. It was sold by his children in 2016 for £1.2 million. Naturally, it was a proper job, unlike the dozen or so copycats, including Scott’s, that followed from body shops.

At some point, Scott’s car was owned by a US kit car company that used it as the basis for its replica Testarossas. Then one day, perhaps following a crash, they cut the roof off, at which point, says Scott, Ferrari stepped in to protect its copyright...

“When I received the car and the two crates of bits that came with it, my intention was to rebuild it,” says Scott. “I had my other Testarossa coupeà that had also just arrived so I used that as a blueprint to work out where the bits from the crates should go and as a wiring guide. I was able to swap parts between the two cars so I was able to cheaply and quickly verify if things worked or not.”

But as Scott’s giant Ferrari puzzle came together, the more he loved its raw and unfinished appearance. No bad thing, either, since to bring it to factory standard would have cost a bomb and, in any case, without a roof, it could never be a purist’s Ferrari and his investment would never be recouped. He decided just to enjoy the build, make the car mechanically perfect – and stick with the rat look.

“For me, the rat look is where the car is perfect under the skin but looks like it’s been sat around, untouched and never restored,” says Scott.

“Bits I’ve since acquired or refitted were finished in red so I’ve left them because they add a touch of colour.” To describe Scott as a Ferrari nut is something of an understatement. His passion for the marque began as a boy when he saw a competition on the back page of Reader’s Digest to win a 308. At the time, his dad never stopped going on about the 246 Dino he dreamed of owning, and then Out Run, the Sega game, came out, featuring a Testarossa Spider.

“When, eventually, I could afford to, I bought my first Ferrari – a 348 Spider,” he says.

At this point, I should point out that Scott, a down-to-earth chap of 42, appears to be comfortably off but by no means loaded. He’s freshly divorced and is taking a year out of his job as an IT bod to consider his future.

He has recently moved into a small estate somewhere in the Berkshire commuter belt; nice houses but with driveways too small for more than two cars. It’s why I have no trouble finding his place, since out on the road in front of it is part of his Ferrari collection: the Ratarossa and an F355 Spider; on the driveway, a 355 F1 Spider; and in the double garage, where the Ratty lives when it’s raining or Scott’s working on it, a 308.

In all, Scott has eight Ferraris: two 355s, three 308s and the Ratarossa, all left-hand drive, and the 360 Challenge Stradale and a 456 GTA, both right-hand drive. In addition, he has a 1969 Porsche 911 T Coupe and a Volkswagen Golf GTI Mk1.

Some are here and the rest are with friends and family. They’re insured for £500,000 and his annual premium is £3000. How has he done it? “I’m the guy who buys the Ferrari you shouldn’t: the one with uncertain history, in the wrong colour or the unfinished project. They’re relatively cheap to buy and I make a profit selling them on when I’ve sorted them out. I plough the money back into the collection.”